By Robert Pogue Harrison
During this wide-ranging exploration of the position of forests in Western concept, Robert Pogue Harrison enriches our knowing not just of the forest's position within the cultural mind's eye of the West, but additionally of the ecological dilemmas that now confront us so urgently. continually insightful and fantastically written, this paintings is mainly compelling at a time whilst the wooded area, as a resource of ask yourself, admire, and that means, disappears day-by-day from the earth.
"Forests is among the so much outstanding essays at the human position in nature i've got ever learn, and belongs at the small shelf that comes with Raymond Williams' masterpiece, The kingdom and the City. Elegantly conceived, fantastically written, and powerfully argued, [Forests] is a version of scholarship at its passionate most sensible. nobody who cares approximately cultural background, concerning the human position in nature, or in regards to the way forward for our earthly domestic, may still leave out it.—William Cronon, Yale Review
"Forests is, between different issues, a piece of scholarship, and one among significant worth . . . person who we've got wanted. it may be learn and reread, extra to and commented on for it slow to come."—John Haines, The big apple instances ebook Review
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Additional resources for Forests: The Shadow of Civilization
Gilgamesh was the legendary but real king of Uruk, a Sumerian city born under the auspices of Anu-god of the sky. He lived during the Early Dynastic II period, around 2700 B. , some six hundred years before the composition of the first Sumerian epics that commemorate him. " The epitaph effectively summarizes his civic heroism. Walls, no Jess than 14 C HAP T E RON E writing, define civilization. They are monuments of resistance against time, like writing itself, and Gilgamesh is remembered by them.
As he dashes through the forest he hears his bloodthirsty hounds in the distance rushing after him. The pursuer becomes the pursued. As the pack bears down on him Actaeon wants to call out to his hounds and say: "I am Actaeon! " But the hounds recognize only a deer and assault him with remorseless ferocity. His companions urge on the pack and wonder what has become of Actaeon, disappointed that he is not with them to join in the chase. " When it came to discerning and transcribing the meaningful core of classical myths, Ovid was an incomparable master, and his account of the Actaeon story contains several insights into the dea silvarum, as he calls her.
We'll settle our respective claims to wisdom a little later on, and Dionysos, the god of wine, shall judge between us" (Symposium, 33). Later in the evening Dionysos in fact appears on the scene in the guise of Alcibiades, the young and dashing Athenian aristocrat who arrives boisterously, in a state of drunkenness, with an ivy wreath on his head and train of revelers in his wake. As he enters the room Alcibiades is initially not aware of Socrates' presence, so he takes offhis wreath and crowns Agathon; but when he notices Socrates he leaps to his feet in surprise and says: "Agathon, give me some of those ribands to make a wreath for his head too, for a truly wonderful head it is.