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Mind, Materiality and History: Explorations in Fijian by C. Toren

By C. Toren

How can we develop into who we're? How is it that individuals are so related within the methods they vary from each other, and so assorted within the methods they're the same?Christina Toren's idea of brain as not just a actual phenomenon, yet an old one, units out to reply to those questions through interpreting how the cloth international of items and people informs the structure of brain in individuals over time.This idea of embodied brain as a microhistorical strategy is decided out within the first bankruptcy, delivering a context for the 9 papers that stick to. Questions explored comprise the best way meaning-making methods reference an traditionally particular global and are accountable right away for continuity and alter, how ritual informs kid's structure of the types adults use to explain the area, and the way humans characterize their relationships with each other and in so doing come to include history.Mind, Materiality and background has direct relevance to present debates at the nature of brain and realization, and demonstrates the centrality of the examine of youngsters to social research. it is going to be a necessary source for college kids and students with an curiosity in anthropological concept and technique, in addition to these engaged in fabric tradition reviews.

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Extra resources for Mind, Materiality and History: Explorations in Fijian Historiography (Material Cultures)

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The equality of cross-cousins poses an implicit threat to the assertion of hierarchy as identical with social order. However, this threat is effectively de-fused by the fact that, when two cross-cousins marry (and by definition all marriages are between cross-cousins) the equality between them gives way to the axiomatic hierarchy of husband over wife. In effect this means that kinship hierarchy is able to contain the equality of cross-cousins by subordinating it to the hierarchy of the domestic group.

So a single bowl may wind up fetching $2 to $3 since each party is bound to pay out to the crier the final sum that he or she has named. There is much joking and plotting and giggling and loud laughter, with spontaneous clapping and expressions of thanks from all the onlookers when someone brings off a particularly good joke, or at the culmination of competitive payment to force the acceptance of a single bowl. After three hours or so, everyone having spent the money they brought, the last few cents remaining to people are collected and gunu sede comes to an end.

G. the cost of buying the yaqona root from the village store, are set against the sum total raised and the final total is announced and everyone claps and thanks each other for coming, for drinking and for spending money and the evening of fun is over. What is interesting sociologically about gunu sede is the way that it is acknowledged in the naming to be very different from gunu yaqona—one is ‘drinking cash’ not ‘drinking yaqona’—and at the same time explicitly allied to it, made analogous to that central ritual of Fijian social life that, on any occasion, offers an image of an ordered and stratified society in which the participant both finds his or her own place and is confirmed in it.

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