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Nicholas Karamzin and Russian Society in the 19th Century: A by J.L. Black

By J.L. Black

Nicholas Karamzin (1766–1826) used to be a remarkably lively philosopher and author in the course of a time that was once attempting to all Europeans. A first-hand witness to the French Revolution, Napoleonic suzerainty over Europe, the burning of Moscow, and the Decembrist rebel in St. Petersburg, he awarded in his voluminous correspondence and released writings an international view that famous the weaknesses of the Russian Empire and whilst foresaw the risks of either radical swap and inflexible autocracy. Russian conservatism owes a lot to this guy, although he may have agreed with only a few of these who got here after him and have been referred to as conservative: he supported autocracy, yet was once devoted to enlightenment; he abhorred constitutions. the truth that his writing had lasting importance has infrequently been challenged, however the social and political nature of that contribution hasn't ever earlier than been confirmed. past experiences of Karamzin have handled his literary profession. This monograph makes a speciality of the ultimate 3rd of his existence, on his occupation at court docket (1816–26) and at the cultural history he left to the Russian Empire. because the historian of Russia most generally learn through his and later generations, his old interpretations reflected and assisted in shaping the picture Russians had of themselves. Professor Black’s examine of Karamzin is important to any exam of Russia’s enlightenment, conservatism, ancient writing, and nationwide self-consciousness.

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Additional info for Nicholas Karamzin and Russian Society in the 19th Century: A Study in Russian Political and Historical Thought

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40 Karamzin's concern with the political order was hardly surprising. He had already pondered the seeming contradictions of life and nature of the eighties, as his correspondence with Lavater attests. In Schaden's school, and with his friends, he had studied German and English literature, through which he gained some immunity to the temptations of French-style enlightenment. The doctrine of natural law as it was interpreted by the philosophers of German Aufkldrung stressed the duties and obligations which individuals had in their societies.

On 12 October, he told Dmitriev that he would 'prefer to give it up altogether than to agree to such an operation' and a year later, moaned 'I wish for only one thing; to die in peace ... ' His sympathy for the new regime had dissipated within a year. The Pantheon finally appeared in 1798, in three volumes. A second edition of 1818 was almost three times as large. Emasculated though it was, the first printing mirrored its author's faith in enlightenment, and subtly illustrated his disgust with the literary and social CREATIVE WRITER TO HISTORIAN 1766-1800 31 scene under Paul.

In this regard, the pages of the Moscow Journal, in a somewhat faltering way, carried the premises that became the very essence of his periodical of the next decade, the Messenger of Europe (Vestnik evropy). Especially significant for an understanding of why Karamzin was to concentrate on historical writing during the nineteenth century were the constant, if oblique, signs of political awareness throughout 16 KARAMZIN AND RUSSIAN SOCIETY IN THE NINETEENTH CENTURY the Letters. There were no references whatsoever to the French Revolution until a letter dated 29 July, when he had already passed through Prussia and Switzerland, fifteen days after the fall of the Bastille.

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