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Symposion: the culture of wine within the values of by a cura di Silvio Menghini

By a cura di Silvio Menghini

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30 Fig. 30 Bicchiere cilindrico monoansato miceneo in argilla semidepurata con decorazione dipinta a spirali. Da Ialysos, Rodi (Grecia). Firenze, Museo Archeologico Nazionale. C. Fig. 31 Statuetta in bronzo di erote accovacciato con grappolo d’uva. Firenze, Museo Archeologico Nazionale. Età imperiale. Fig. 32 Statuetta in bronzo di bambino accovacciato con grappolo d’uva. Firenze, Museo Archeologico Nazionale. Età imperiale. Fig. 33 Askòs a vernice nera a forma di sileno. Da Tuscania. Firenze, Museo Archeologico Nazionale.

2b Frammento di anfora attica a collo distinto a figure nere con maschera di Dioniso. Gruppo vicino al Pittore di Antimenes. Firenze, Museo Archeologico Nazionale. C. Fig. 2b Fragments of Attic split-necked, black-figured amphora with mask of Dionysus. Circle of the Painter of Antimenes. Firenze, Museo Archeologico Nazionale. C. 47 48 Giuseppina C ar lot ta Cianferoni Fig. 3 Fig. 4 Fig. 3 Dioniso tra satiri e menadi. Anfora attica a figure nere. Firenze, Museo Archeologico Nazionale. VI sec. C.

W. Parke, The Festivals of Athenians, London, 1977, pp. 107-108; W. Burkert, La religione greca, trad. , Milano2, 2003, pp. 437-444. 63 Plutarco, Quaest. conv. 655e. v. thýraze. 65 Leg. 773 c-d. 66 Plutarco, de virt. mor.. 451 c-d. 67 P. Scarpi, Le religioni dei misteri, I, Milano4, 2004: Dionisismo H 1-2. Cfr. E. Montanari, Identità culturale e conflitti religiosi nella Roma repubblicana, Roma, 1988, pp. 119-136. 68 Ovidio, Fasti, IV 887-95. Cfr. CIL I2, p. , III 5,10; Plutarco, Quaest. , 275e; Var- Pausanias, VI 26, 1.

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