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Yogurt Culture: A Global Look at How to Make, Bake, Sip, and by Cheryl Sternman Rule

By Cheryl Sternman Rule

From the (hardcover) ISBN: 0544252322

LCCN: TX759.5.Y63.R85 2015
641.6’71476—dc23
2014039690

Photographs through Ellen Silverman
Book layout via Rita Sowins / Sowins Design
Food styling by way of Christine Albano
Prop styling via Marina Malchin
Ebook layout by means of Jessica Arnold

Long celebrated as a flexible factor in cuisines around the globe, yogurt has lately emerged as a nutrition of approximately extraordinary progress right here within the usa. The time has come for a latest, far-ranging cookbook dedicated to its untapped culinary uses.

In Yogurt Culture, award-winning nutrition author Cheryl Sternman Rule offers one hundred fifteen flavorful recipes, taking yogurt farther than the breakfast desk, lunchbox, or gymnasium bag. Rule strips yogurt of its premixed components and brings it again to its natural, healthy essence. In chapters like Flavor, Slurp, Dine, and Lick, she pairs yogurt not only with fruit yet with meat, not only with sugar yet with salt, not only with herbs yet with aromatic spices whose provenance spans the globe. She presents foolproof, step by step directions for a way to make yogurt, Greek yogurt, and labneh at domestic, even though all of her recipes can be ready with advertisement yogurt.

Rule explores yogurt from each attitude, explaining tips on how to learn a label, vacationing manufacturers huge and small, and gaining access to the kitchens of chefs from all over the world. Deeply researched and peppered with tales, interviews, and full-color images, Yogurt Culture bargains a clean, complete tackle a loved nutrients.

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Additional resources for Yogurt Culture: A Global Look at How to Make, Bake, Sip, and Chill the World's Creamiest, Healthiest Food

Sample text

96) and Mid-Autumn scroll by Wang Xianzhi (p. 55), it was listed as one of the three rare calligraphic models kept in the Sanxi Room by the Qing Emperor Qianlong. Chinese Calligraphy downward stroke on bamboo or wooden strips. So they 36 adopted some strokes from the cursive hand, to develop the formal hand. Initiated in the Han Dynasty, the formal hand came to be commonly used in the early Tang Dynasty (618-907). It became a new basic calligraphic style of the third generation used for the following 1,300 years.

55), it was listed as one of the three rare calligraphic models kept in the Sanxi Room by the Qing Emperor Qianlong. Chinese Calligraphy downward stroke on bamboo or wooden strips. So they 36 adopted some strokes from the cursive hand, to develop the formal hand. Initiated in the Han Dynasty, the formal hand came to be commonly used in the early Tang Dynasty (618-907). It became a new basic calligraphic style of the third generation used for the following 1,300 years. From the official and other new styles mentioned above, some other styles were developed, such as the runningcursive hand, the formal-running hand and the wild cursive hand.

But in cursive or running hand, the brush moves more quickly, and it only takes several seconds to finish a character. Second, unstable and inconsistent space can be caused by the slanting of the character. In the rigorous official hand, some people make the characters straight and graceful, while others make them slanting, and the strokes are of different lengths in order to display their vigor, vividness and rhythm. In running, cursive or wild cursive hand, this is out of the question. Prose on the Goddess of the Luo River, written by Zhu Yunming (1460-1526) of the Ming Dynasty, demonstrates the coherent and dynamic strokes The character 花 (flower).

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